Skip to main content

Breaking the Seventh Commandment: Nisha da Cunha’s Short Story “One Summer Meeting”

Nisha da Cunha.
 Photo courtesy: epaper.timesofindia.com
The Supreme Court's recent verdict decriminalising adultery makes me post this review of Nisha da Cunha's story that was written in 1991 and is narrated from the point of view of the adultress.

Nisha da Cunha’s short story “One Summer meeting” is from her collection of stories Old Cypress.Through long lyrical and meandering passages of interior monologue, the protagonist goes down memory lane recalling  the heady days of her tempestuous extramarital affair with a man whom she compares to a sun bird that is vibrant with beauty and movement.

The protagonist’s grown up son comes in search of her after years of separation. The story is in the form of a baring of the soul, a sort of confession to the son about the affair that caused the break up of her marriage. In poetic language, the mother recalls the pain and disillusionment of an unfulfilling marriage and the agony and ecstacy of extra-marital love.

When the son comes to meet his mother he locates her in the very same chapel where she used to keep clandestine trysts with her lover. She comes to this chapel often not for asking forgiveness for breaking the seventh commandment “Thou shalt not commit adultery,” but to thank God for giving her a lover who understood her .She reveals to her son the loneliness of women locked in loveless marriages. She recalls, “I was only a possession, one of his possessions”(104). Even to this day she remembers well how steely and absolute her husband’s anger was. Joy had been alien to his nature. She frankly tells her son, “I did not know joy in your father.He never showed it, nor did he express it over anything”(105). She had endured years and years of not talking, of not describing,of not sharing anything” (109).

But when she met the other man ,everything changed for her. She recalls how when you fall in love “the air smells different, colours are unusual” (108). Her husband notices the change in her “for happiness is as difficult to conceal as real unhappiness”(109). Even to this day she suffers from no felling of guilt or remorse. On the other hand she cherishes and treasures the memories left to her by her lover. The other man was the one who made her feel that she was beautiful and “had things to say and share,worth listening to, worth sharing”(109).

But happiness always comes with a price; and the price she had to pay for her lapse from “virtue” was her son,who was wrested away from her by his father. She honestly reveals to her son, “Your father I didn’t miss at all, except for realizing how many years he had deprived me of myself,by coldness, by sterness, by such a lack of laughter.”(110) The story ends with the protagonist’s advice to her son not to marry for he, having been brought up by such a father might not be capable of having a totally fulfilling relationship with any woman. The protagonist in this story is victorious in her own way, for having lived life on her own terms, she has no regrets. Freed from the confines of an oppressive marriage , she survives alone with quite courage and dignity.

In this story the wife’s infidelity is to be seen as a protest against the meaninglessness of her emotionally barren marriage,a protest against the lack of sensitivity of her domineering husband. It is to be seen as a sort of metaphor for the woman breaking free from the shackles of duty-bound fidelity. It is also a metaphor for the woman's endeavour to capture a female space,the woman's struggle to be true to her inner self and to her womanhood.
                                      
                                       Work Cited
Cunha, Nisha da. Old Cypress: Stories. New Delhi: Penguin,1991

Bhadra S

Comments

Popular posts from this blog

Of Love and Betrayal: Kamala Das's “Letter from Radha”

       Image courtesy:nickyskye.blogspot.com Kamala Das’s short story “Letter from Radha” from the collection of stories Sandal Trees is a prose poem on the Radha--Krishna love. Unlike the  Bhakti  poets who celebrate the Radha--Krishna love of the Vrindavan days as an ideal love beyond the norms of traditional courtship and are silent about Krishna’s later desecration of that love, Das, in her story, prefers to interrogate Krishna’s change of heart after he left Vrindavan. She demythifies and demystifies the Radha--Krishna love and shows it to be what it really was—a love that ended abruptly in betrayal and abandonment, a love that left Radha broken-hearted. Das's story shows how cruel a man can be even to the woman he loves.    Krishna,when he becomes a king , man-like, deserts Radha, and she, woman-like, lives like one dead    pining for her beloved for in true love there is no such thing as “getting over it.” Even ...

June is Yellow, London's Blue

                                       Photo courtesy:Clip2art.com   Once upon a time there lived in the   garden of a house in London a pair of swallows with their baby swallow. By the time the little swallow learned to fly it was late autumn, the time for the swallows to migrate, to start their long, long journey to a warmer climate. So taking their young one with them they flew away from London city, across France, across the Pyrenees, across Spain, across Morocco, across the Sahara and reached their destination in Africa. When it was time for them to start their return journey the swallow- parents began to talk to the baby swallow about how wonderful it would be in London when they reach the city in the summer, in the sunny month of June. If they are lucky they may find the nest that they abandoned to be in good condition despite t...

She Pens to Protest

                                                                                                                                 I write                                                         Because   I cannot bite                                                         It’s the way Image courtesy: uk.pinterest.com             ...